A bit of work-in-progress this time. I recently did a few workshops with Joby Carter – of vintage steam fair fame – looking at fairground lettering and sign writing. One of the fonts he taught was Playbill, and old-school font popular on the bills that were handed out advertising plays. It is reminiscent of cowboys and the wild west.
I’m working on a book cover and thought this would be an appropriate style. So this is it so far. Ink with graphite shading. The word ‘shadows’ is shown but, when complete, the title will be ‘Book of Shadows’.
On a technical note ‘blocking’ is the part of the design that gives the letters depth or thickness, ‘shadow’ is what is cast by a theoretical light source. Let me know what you think.
This is the new Dan Rox shop in Tiverton, Devon. A new venture for Dan and Adam selling crystals and rocks, running workshops on all aspects of working with crystals, and having guest presenters along to join in the fun. And they had a personal anniversary, too!
When a caricature is commissioned I will not post it to the public domain until it is in the hands of its new owner, and the commissioner has given the go-ahead for me to do so. This means that on the run-up to Christmas I have been productive but have no posts to show for it. But here is my first reveal of 2022, a house in south Wales.
Let me know what you think, and remember – a caricature is not just for Christmas …
Another project that has been a while coming to fruition is the illustrations for a book, a short story called ‘Winter’s Longest Sleep‘, a cruel tale set on Exmoor near the end of the 18th century.
The book is available from Amazon.
It is written by Kelia-Jane Hannaford, a pseudonym of Richard J. Small, who has ten previous titles to his name. Here are some of the illustrations: a remote Exmoor farm, the farriers forge, a cosy ingle-nook, and a writing desk, illuminated only by moonlight now the candle has been snuffed.
Around 1830 the railway arrived in Gosport. It was a special line for the convenience of Her Majesty Queen Victoria who had a house on the Isle of Wight, Osborn House, to which she was inclined to visit on occasion, so a train from London direct to Gosport, for onward travel by ferry, was most advantageous.
Also quite handy for others in the area, whether frequenting the railway station, or just in need of refreshment, was The Railway Inn. It was built around 1830 and is of traditional design for the period. Sadly, or not, the licenced trade has not faired well in recent years, and in 2010 it closed and the building was sold.
It has been beautifully converted to a spacious dwelling, retaining many of the original features, and is now grade ll listed, in an area steeped in the history of the Royal Navy.
This was commissioned as a new home gift for the new owners – let’s hope it still has a well stocked bar.
One of my early commissions, three years ago, was ‘The Shed’. It was the new workshop of Karen of @karensquilts. All sorts of ‘additions’ appeared – Cheryl, the crow; Lance, the good knight; Treacle, the family’s late cat – and a strange dog who was who was, perhaps, a premonition of Arthur, the cockapoo. Karen has now moved to Devon, and for her special birthday, I was commissioned to draw her new home. This is the barn, The Old Granary. And Karen and Ray now have a real Arthur to keep them company.
This lovely house was ordered as a Christmas present to celebrate moving to a new home, but because of lockdown restrictions it wasn’t received until until the person’s birthday. So another happy customer, and I can post it for you all to see.