Another special house drawn, for a special occasion, with details only the owner will appreciate. This one is located in the Duchy of Cornwall, where scones are served the ‘right’ way. (That’s jam first, cream on top – next door in Devon they do it the ‘other’ way. Discussion?)
I have availability for commissions for Christmas (!) so don’t wait too long.
The challenge was to draw something that has special meaning for us. This had to be a ‘thing’, so I chose my St. Christopher necklace, given to me by my best friend, my wife. So, for me it has special meaning. I appreciate that poor old St Chris was cast aside by the Catholic church in 1970, but that is irrelevant – as is the church. But enough of that nonsense, the picture …
Stippling with Unipin fine liners, 0.05 and 0.1, on Cryla paper for acrylics.
This is different from my usual pen and ink, it’s not a building, and it’s not wonky.
This commissioned work is acrylic on 10×12 canvas board. It depicts a Tamar class RNLI Lifeboat.
Although I often work with acrylics on mdf and greyboard, those works are more ‘crafting’ and 3D articles (see my Kim – splash it! blog here on WordPress). Working on the textured canvas, with crafters’ acrylics was a totally different experience, but a learning curve worth the trip.
So, here it is, soon to be in the post to its new owner. Let me know what you think.
A bit of work-in-progress this time. I recently did a few workshops with Joby Carter – of vintage steam fair fame – looking at fairground lettering and sign writing. One of the fonts he taught was Playbill, and old-school font popular on the bills that were handed out advertising plays. It is reminiscent of cowboys and the wild west.
I’m working on a book cover and thought this would be an appropriate style. So this is it so far. Ink with graphite shading. The word ‘shadows’ is shown but, when complete, the title will be ‘Book of Shadows’.
On a technical note ‘blocking’ is the part of the design that gives the letters depth or thickness, ‘shadow’ is what is cast by a theoretical light source. Let me know what you think.
This is the new Dan Rox shop in Tiverton, Devon. A new venture for Dan and Adam selling crystals and rocks, running workshops on all aspects of working with crystals, and having guest presenters along to join in the fun. And they had a personal anniversary, too!
When a caricature is commissioned I will not post it to the public domain until it is in the hands of its new owner, and the commissioner has given the go-ahead for me to do so. This means that on the run-up to Christmas I have been productive but have no posts to show for it. But here is my first reveal of 2022, a house in south Wales.
Let me know what you think, and remember – a caricature is not just for Christmas …
Another project that has been a while coming to fruition is the illustrations for a book, a short story called ‘Winter’s Longest Sleep‘, a cruel tale set on Exmoor near the end of the 18th century.
The book is available from Amazon.
It is written by Kelia-Jane Hannaford, a pseudonym of Richard J. Small, who has ten previous titles to his name. Here are some of the illustrations: a remote Exmoor farm, the farriers forge, a cosy ingle-nook, and a writing desk, illuminated only by moonlight now the candle has been snuffed.
Do you remember, back in December, I posted about Dianne Phillips-Zito’s book of light-hearted poetry, From Bad to Verse and that I supplied the illustrations? Well, here’s a bit more information for you – seeing as that certain time of the year is approaching and you will be needing ideas for presents.
Around 1830 the railway arrived in Gosport. It was a special line for the convenience of Her Majesty Queen Victoria who had a house on the Isle of Wight, Osborn House, to which she was inclined to visit on occasion, so a train from London direct to Gosport, for onward travel by ferry, was most advantageous.
Also quite handy for others in the area, whether frequenting the railway station, or just in need of refreshment, was The Railway Inn. It was built around 1830 and is of traditional design for the period. Sadly, or not, the licenced trade has not faired well in recent years, and in 2010 it closed and the building was sold.
It has been beautifully converted to a spacious dwelling, retaining many of the original features, and is now grade ll listed, in an area steeped in the history of the Royal Navy.
This was commissioned as a new home gift for the new owners – let’s hope it still has a well stocked bar.